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Nazeer Akbarabadi
[1740-1830]

 
 
 

 

Nazeer ( or, Nazir) was the first Urdu poet who introduced nazms to Urdu poetry. Nazeer can be said to be the "father of the Urdu nazms".He was much before Haali or Azaad who are generally given credit for being first to bring the form of nazms to Urdu. There is another reason to call Nazeer "Father of the Urdu Nazms" ; he wrote nazms on almost all the topics that affect a human. He wrote about festivals, seasons, fruits, about life, just every conceivable topic. He also wrote some beautiful verses on some of the most gHair-shayaraana topics e.g. muflisi, koRhinamaH, paisa, rupaiaa, rotiyaaN, aaTa-daal, pankha and kakRhi among others.
 

Life :
        His name was Shaikh Muhammad Wali and takHallus was Nazeer. His father was Shaikh Muhammad Farooq. Nazeer was born in Delhi, but during the attack of Ahmed Shah Abdali , he along with his mother came to Agra, and hence the name "Akbarabadi."  He was a teacher by profession, but he also tried his hands in all sorts of odd jobs.

Poet :
             For a generation Nazeer was ignored, and when he was studied by critics, he was labeled as "poet of the people." He wrote not only about love ( as his contemporaries were doing) but his canvas was  vast and in his poetry he was able to depict all walks of life including their emotins, sorrows, joys and by his poetry he successfully brings to life even a lifeless object like kakRhi  (cucumber), pankhiya (fan) and balaa (ear-ring).
             
             On cucumber...
             "farhad ki nigaaheiN, sheereiN ki hansliyaaN haiN?
              MajnooN ki sard aaheiN, laila ki ungliyaaN haiN."
 

             On ear-ring...
             "jaise mahtab peH haale ka bandhe hai kunDal 
              hai tere chand se rukHsaar ka halaa, balaa"

     and again 
             "jab hilaati hai suraahi si woH gardan apni 
             nasha-e-husn ko karta hai do-balaa, balaa"

             Because of his choice of topics Nazeer was ignored by the  critics of his time. Later when critics of age picked him as a genius it was also because of his vast canvas. 
             Even though he mostly used common language in his poems. Some  of his poems can be said to be  "festival of words" which is not seen after him.

             dikha kar ik jhamak dil ko nihayat kar gayaa bekal 
             pari-roo, tand-kHo, sarkash, haTeela, chaleela, chanchal
             woH aariz aur jabeeN tabaaN keH hooN dekh uss ko sharmindaaH     
             qamar, kHoorsheed, zahraH, shamaa, sholaa, mushtari, mashal
             kafooN meiN, ungliyoN meiN, laal-e-lab meiN, chashm-e-mai gooN meiN 
             hinaa aafat, sitam qandaq, masi jadoo, fasooN kajal
             badan meiN jaama-e-zar kash, sarapa jiss peH zaib aawar 
             kaRhe bande chaRhe chhalay angooThi noor tan haikal
 

     and listen to this music of words...

     roz mazay se raat ko barsay menh jhamak jhamak 
     boonday paRheiN Tapak Tapak, pani paRha jhapak jhapak
     jaam rahe chhalak chhalak, sheeshay rahe bhabhak bhabhak 
     hum bhi nashooN meiN kHoob chhak, lauT-tay thay bahak bahak
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links on nazeer :

diwaali 

eid-ul-fitr

banjara-nama

@urdupoetry

another bio